Sunday, 3 June 2012

DAZ #23: "Fire In The Night!"


(Flame retarded.)

Comments

Dazzler awakes to the smell of burning.  Stepping over her sleeping half-sister, who's stayed the night after a late night/early morning of family bonding, she discovers the apartment building is on fire, and the alarm system has been sabotaged.  Alison quickly turns on the radio - waking Lois in the process - and, absorbing the music, begins strobing out of the window until some cops notice the display and come to investigate.  That's quite a nice use of her powers, actually, although the night-dress she's wearing is so scandalous I'm sure the police would have sauntered over in any case.

With the authorities warned (though they find the nearest police phone has also been sabotaged), Alison and Lois attempt escape.  If seeing her big sister flashing at the police (sorry; couldn't resist) wasn't clue enough, seeing Dazzler use her laser beam to cut a path to safety for an elderly neighbour leaves Lois in no doubt: Alison is a mutant.  Whether this would have been a problem under normal circumstances, we don't know, but Lois is sufficiently impressed with Dazzler's heroics for it not to bother her. 

Alison has other things on her mind than social acceptance, though (not that it stops her getting somewhat over-defensive about her nature, but I suppose that's understandable).  Not only has her loudmouthed landlord arrived to essentially tell everyone present he wished they'd all burned, she saw someone skulking in the shadows just after she discovered the fire, and she suspects foul play, possibly at the hands of the Sisterhood.

This might be true, though if it is, they're outsourcing their dirty work right now; the setter of the fire is a red-costumed man.  Given the cover to this story, I'm going to go ahead and assume his name is Flame!  Flame! is none too happy that "some woman" has ruined his plans, which rather suggests he's not involved with Rogue and co.  That said, he's concluded Dazzler must die for her interference, so his affiliations probably aren't that important right now (indeed, the very next scene rules out the Sisterhood's involvement; Mystique just doesn't consider Dazzler enough of a threat to bother with).

The following day, Dazzler has herself another TV appearance, and so another round of rehearsals.  Not long into the proceedings, though, Alison calls a halt.  She has a business meeting to take care of, with Power Man and Iron Fist.  Our heroine is sufficiently spooked over the fire the day before that she's willing to put the Heroes for Hire on retainer (using Osgood's money, naturally - though she does get a discount for being a "friend to the industry").

Despite it being based upon a false premise, this is clearly a prudent precaution, and a timely one as well, for no sooner have Luke and Danny accepted the job than the smell of smoke fills the air.  Our boy Flame! is spectacularly unlucky; every time he sets a fire he turns out to have unaccounted superheroes gumming up the works.  Alternatively, he might just be deeply stupid, a diagnosis which would account for why a man hired to sneak around burning things would wear a bright red costume covered with flame patterns.  Either way, Luke holds up the buckling ceiling whilst Danny punches a way clear for everyone, and the TV studio is emptied without injury.

Whilst we await Flame!'s next attack, our heroes attempt to squeeze in some leisure time.  Lois goes shopping with her mother, only to faint in a rather suspicious way.  LATENT MUTANT! is now flashing over her head, for anyone paying attention.  Angel, meanwhile, is in a skeezy coffee shop, nursing an espresso and trying not to freak about three women possibly wanting to attack him. Some X-Man; he's so petrified he can hardly work the jukebox.  Or the cash machine.  Or the science station on the Enterprise-A.  I'm not really sure what's going on, if I'm honest.  Danny and Luke, for their part, start trying to piece together what exactly is actually going on, and quickly come to the fairly obvious conclusion: why would the Sisterhood hire someone to do their dirty work for them, and why would they pick such a proven numpty for the gig?

Our heroine, meanwhile, is over at lover Ken's, but finds she has no appetite, and no desire to risk his life in another arson attack.  Offering him a goodbye hug (man, Ken is really not doing well in this relationship; he's basically three parts chef to two parts puppy dog, Alison heads over to Crowley's, her landlord, hoping he has a hidey-hole somewhere she can rent for presumably exorbitant prices.

Except: TWIST! When she gets there, she finds the guy talking with Flame!, demanding to know why he's gone off-mission trying to kill Alison, instead of just burning down the apartment building to allow Crowley to pocket the insurance money. Flame! catches Dazzler snooping, and resolves to kill her, despite Crowley's objection, labelling his erstwhile employer a hypocrite and a coward.

Flame! drives our heroine on his muffled motorbike to a warehouse he's been paid to burn down that evening, planning to leave her inside to, well, DIAF.  Whilst he starts dousing the place with gasoline, however, the tied-up Dazzler manages to roll her way over to his bike, kick-start it, and knock away the muffler, all with her legs.  The resultant noise allows her to charge up sufficiently to obliterate her bonds, and she has her magnetic skates on (once again underneath high heels, which I continue to maintain is ridiculous even in this context).  Hearing the noise, Flame! returns, and it becomes a battle between his fireballs and flamethrowers (that costume may be gaudy, but it's certainly got some nice features) and Alison's lasers and dazzle blasts.

Flame streams have to be aimed, and lightshows don't, so Dazzler quickly wins the energy-off.  Even Flame! producing a flame-sword (!) doesn't help him, as Dazzler out-duels him with a laser blade (!!?WTF!?!). It may be somewhat closer to a literal Pyrrhic victory than she might like, however; the battle has left the building already aflame.  Fortunately, Power Man and Iron Fist arrive on the scene, having figured Crowley was their prime suspect and put the screws on him.  They save Dazzler from the conflagration, and point out that she's now safe from harm.

Alison, however, is far from convinced.  And on this occasion, her intuition isn't failing her.  Against Mystique's wishes, Rogue is preparing to go, er, rogue, and take out Dazzler alone...

Clues

This issue begins the morning after last issue ended with Lois' arrival, and takes place over three days.  Warren mentions that Professor Xavier is too dispirited to be much use to him right now, referring to the apparent deaths of the X-Men, but we already dealt with this when considering DAZ #22.

Date

Monday 6th to Wednesday 8th June, 1983.

X-Date

X+5Y+95 to X+5Y+97.

Contemporary Events

Li Xiannian becomes President of the People's Republic of China.

Margaret Thatcher's Conservatives win re-election in a landslide.

Standout Line

"You're a mutant, aren't you -- like the X-Men or something?"
"Yes, Lois, I am.  Now are you going to call me a freak?"

List of people who desperately need to get over themselves: Alison Blaire.

Thursday, 31 May 2012

UXM #169: "Catacombs"


(TLC beneath NYC)

Comments

We start off this issue in Warren Worthington's Manhattan penthouse, as Candy Southern returns, apparently after spending the day finding the worst wig humanly possible.  Finding blood and feathers everywhere, she calls Xavier, but doesn't get far into the conversation before a brute named Sunder gets the drop on her. "I am here to hurt you", he announces.

The professor knows a crisis when he starts to hear it, and sends the nearest X-Man to investigate.  Unfortunately for Kurt, that would be him, forcing him to teleport out of the hot-tub he was sharing with his starkers foster-sister, and jaunt across town naked and dripping.  Thank God his tail has fourth-wall breaking powers of obscuring his furry indigo penis, huh? What a relief for everyone.

Guided by Xavier, Nightcrawler spies an unconscious Angel being carried into the subway by a shadowy figure.  There's no time to chase him, however, as Candy suddenly appears, thrown from the penthouse window.  Nightcrawler catches her before she falls, and can think of no other option other than to teleport her back into the hot-tub with Amanda. 

(Let's stop a moment to consider that Amanda didn't get Xavier's psychic summons, which means her unclothed boyfriend just left the flat without a word, and returned with a gorgeous, dazed raven-haired woman, who he's just thrown along with himself into the tub where she is sitting naked.  It is something of a shame we do not get to see what happens next.)

Meanwhile, over at the Hellfire Club, it seems Sebastian Shaw has finally recovered enough from the last vicious beat-down he suffered at the hands of the X-Men to start preparing for the next vicious beat-down he'll suffer at the hands of the X-Men.  Or at least, that was the plan.  Emma Frost has rather thrown a spanner in the works by telling Sage she had a desperately important warning for Shaw, and then collapsing into a coma.  Unsettling!

Back at Amanda's Questionable Bathing Emporium, the rest of the X-Men (minus Logan, off in Japan) have gathered to plan how to get Angel back.  Leaving Candy (and Lockheed) in Amanda's care, and wielding a portable Cerebro unit (Xavier refusing to loan the team Wolfsbane), our heroes go a-hunting.  Finding a seriously unwell ticket clerk in the subway, the X-Men figure they're on the right track, a supposition supported by their pocket Cerebro, though not by Xavier, who's encountering psionic resistance from up ahead.

And that's not all that's up ahead.  There's a secret entrance, and an associated welcome committee.  Our guys make fairly short work of the first wave, but a scouting Kitty finds their back-up, watching the battle and taking notes.  She high-tails it out of there, but not before someone named "Plague" gets her all tingly.  This, we suspect, is not good.

The resultant enplaguening means Kitty is late for her rendezvous with the rest of the team who, with no way of tracking her, choose to move on in the hopes of finding Angel.  That's amazingly cold, actually.  Storm's comments notwithstanding, not even bothering to wait until the dust has settled following the fracas seems ridiculous (as does not leaving behind 'Crawler in case Kitty catches up).  This is clearly characterisation and common sense being overruled for the sake of plot.  For shame!

Sprite herself is in an exceptionally bad way, and it's far from clear that her situation has improved when Caliban (last seen trying to steal her away as his live-in love-puppet) finds her, and decides to nurse her back to health... forever!

Meanwhile, the coterie of callous cads who condemned her to Caliban's calumny have reached the lower levels of a structure no-one knew stretched out underneath New York.  There they find Callistio, eyepatch-sporting leader of the Morlocks, who took that name from H.G. Wells' The Time Machine (though apparently didn't read it all that closely), and who have captured Angel so that they can tear away his ability to fly, so that Callisto can use him as her sex slave.  Interesting people, these Morlocks.

The X-Men, as one can imagine, take exception to these developments, but find themselves quickly beaten into unconsciousness by the assembled mass (the narration is kind enough to tell us that it makes no sense for Colossus to fall so easily, but fall easily he does).  Meanwhile, somewhere nearby, Caliban has figured out that Kitty has gotten herself a dose of the plague, and resolves to face off against Callisto herself, in order to force Plague to remove the biological curse.

Clues

Nightcrawler mentions that Wolverine is in Japan, and an editorial box suggests we check out WOL #1, which was published several months earlier.  Given that, along with the fact that Claremont doesn't seem able to decided if it's winter, spring, or early summer, I think the best option (read: least troublesome) is to assume the Wolverine limited series explains why Logan is in Japan (i.e. he's setting up his wedding), rather than it actually happening concurrently.

This issue takes place over a single evening.

Date

Thursday 21st of July, 1983.

X-Date

X+5Y+112.

Compression Constant

1 Marvel year = 3.71 standard years.

(Colossus is 26 years old).


"This is not going well."
Contemporary Events

The lowest temperature ever recorded on Earth is noted at Vostok Station in the Antarctic (-89.2 C: lovely).

Standout Line

"If you ask me, pets should know their place and do as they're told."
"I wonder if Lockheed feels that way about us." - Kurt and Kitty.

Wednesday, 23 May 2012

TWTYTW: 1982

If 1982 wasn't the most important year for the X-Men franchise up to that point, it was certainly the most important year in which UXM wasn't either starting up or being cancelled.

The reasons for this actually have very little to do with UXM itself (though we'll come to the parent title), but with two graphic novels, and a limited series, each of which can be considered patient zero for trends that continue to this day.

Exhibit A is the Wolverine limited series from Claremont and Frank Miller.  I've read almost no comics from the early '80s, and I'm not sure I've read any which didn't star mutants, so I can't pinpoint the exact moment that mainstream comics in general started to take on darker hues (though this was the year that V For Vendetta, for example, began appearing in print), but this four-issue limited series was certainly the first time the X-books delved into actual murk, rather than just melodrama (which is not to say - Gods, it is not to say - that the miniseries in question lacked for melodrama).

This desire for grittiness and what a PCP-addled Klingon might mistake for realism would eventually consume pretty much the entirety of '90s Marvel output, of course, as well as creating some kind of hideous temporal anomaly in which people could spend six years calling Rob Liefeld a visionary whilst keeping a straight face, but   I'm not inclined to blame Claremont and Miller for that.  Well, not Claremont, and not Miller because of this: if anything he did was responsible, it was Batman: Year One.

As well as sketching out the direction the X-Books (along with all the other books) would take over the next fifteen to twenty years - by the X-Tinction Agenda even Claremont was writing stories in which our heroes march remorselessly through the blood of their enemies - this initial foray into the limited series format proved a harbinger for an almost unstoppable flood.  During my first hesitant footsteps into the X-Universe (starting with UXM #323, for the record), I rapidly lost count of the number of tiny editorial boxes advising me to pick up some limited series or another. Why, to a cynical mind (and even at fifteen, I was plenty cynical), it might appear that each of these ubiquitous series were just vehicles for a single development the ongoing titles could reference as "relevant", whilst being entirely creatively barren in every other respect (like if in the last episode of Desperate Housewives they'd literally dragged Obama onto the set and shot him).

Sticking with the subject of the opening of floodgates, let's talk about MGN #4, in which the New Mutants are introduced. The setting of precedent here is quite obvious; the formation of a new team for completists to buy alongside UXM, and for newcomers to read without the crushing weight of canon threatening to, er, crush them.  The story itself sticks to an established idea - one man visits a bunch of prospective team members and persuades them to sign on - and there's still a slightly disagreeable whiff of short-cutting via stereotype - the Brazilian is hot-headed, the Asian girl is polite, the Native American will not stop whining about her culture - but there's no denying the impact this book had, either in direct terms (New Mutants is currently on it's third incarnation) or indirect (even I'm not mad enough to count how many X-teams have existed in the last thirty years).  Indeed, whilst I argued the contrary a few months ago, it's certainly plausible to claim that Renewal marked the beginning of the mutant franchise, Dazzler being closer to a Marvel team up book than an X-title.

Lastly in our list of game-changers, we have God Loves, Man Kills, which I posted about the day before yesterday.  This is by no means an unalloyed success (having a white man write about a Jewish girl schooling a black woman on bigotry is particularly problematic), but for all it's problems, I maintain that it's an important and welcome step up in terms of the handling of the mutant metaphor, and even if I'm wrong about that, it certainly shaped the way the X-books presented the mutant vs human angle, right up to this day,

So, that handles the paradigm shifts.  What else was going on in 1982?  Well, Dazzler seemed to have some trouble deciding exactly what it wanted to be, starting the year as an intergalactic/interdimensional romp through the universe, before switching gear and becoming mired in increasingly implausible family soap-opera.  Yes, I know, I'm never happy. In fact, I specifically said I wanted more of Dazzler's personal life at around the time she was weighing up whether or not to punch Galactus in the crotch.  Actually, I think it's definitely the case that Dazzler ended 1982 in a better place than where it started, but the nice balance -and lack of outrageous self-absorption - that made the first few issues so interesting still hasn't quite been recaptured.

And as for the scamps who caused all this mess? UXM bookended the year with extra-terrestrial jaunts, first with Lilandra against the Brood, and then with, er, Lilandra against the Brood.  And to think Jon Seavey claimed the Silver Age was more inventive...

Just kidding, obviously. Actually, Seavey's got a damn good point there (his musings on Claremont's consistent time-keeping that led to the creation of this very blog, on the other hand, are almost charming in their naivete).  Between these trips to the stars, the X-Men break into the Pentagon and fight Rogue and Mystique, briefly lose Storm to Dracula and Illyana to Limbo, and delve into Magneto's origin story.  That should be enough to keep everyone happy.  There's really not a lot to say here other than, like 1981, this is classic Claremont.

In summary, then, this was the year that started the boulders rolling; boulders that would eventually pick up so much detritus that their weight would almost crush the entire franchise to nothing.  Of course, the Hindenberg eventually crashed and burnt in a horrifying inferno.  Doesn't mean that the first airship wasn't a hell of a lot of fun to ride in.

Monday, 21 May 2012

MGN #5: "God Loves, Man Kills"


(Man's inhumanity to man.)

Comments

Prologue

We come at last to a graphic novel discussed in hushed tones of humble reverence; the single story that did more than any other to establish the struggle between human and mutant as not just one of prejudice, but one of violent domestic terrorism.  It also provided the basis for Bryan Singer's X2, which considering it's the best of the three "central" films, isn't at all bad for a comic more than twenty years old at the film's release.

It certainly doesn't dither at the pool's edge, either. On the first page we're introduced to Mark and Jill, siblings on the run in the dead of night.  By the end of the second page, both are dead, shot by the same people who killed their parents. "You have no right to live" says their leader by way of explanation. 

This is our first glimpse of The Purifiers, a paramilitary anti-mutant hate group that will pop up many times over the next thirty years of comics.  For now, suffice it to say we already know they're the kind of people who'll murder an entire family, children and all, and call it a good day's work.  Well, half of one, I guess; the second stage is to chain the children's bodies to the school swings so as to ensure hundreds of children all (or nearly all) of them non-mutants, will be traumatised for the rest of their lives.  Nice going, Purifiers! Way to save humanity!

Fortunately, this particularly horrific iteration of show and tell is averted when Magneto finds the Purifier's "message" and cuts their victims down.  I assume Magneto's tracking the Purifiers, or maybe keeping tabs on developing mutants, because otherwise even by comic standards this is a hell of a coincidence.

Sunset in New York City.  I should point out actually the art in this book is gorgeous.  It's the first time aside from the first Wolverine limited series (which came out the same year) that it feels like the artists are trying to evoke an atmosphere, rather than just directly translate the script into pictures.  The darkness and shadows that surround the Purifier's grizzly work and Magneto's heartbreaking discovery, and the wash of oranges and yellows that surround the Stryker building, not only work on their own terms, but make their own point: we skipped over the daylight.  Things started dark, and now things are going to get darker.

The Stryker building itself is the headquarters of the Stryker Crusade, a worldwide Evangelical movement, which is rarely a good sign in fiction.  Reverend Stryker himself seems to divide his time between writing sermons and studying the X-Men, plotting their downfall.


Chapter 1

Katherine Pryde throws a kid out of Stevie Hunter's dance studio.  She does it through the window, and takes herself with him. Colossus is on hand to break them up - though not before she takes one to the jaw - only to find out Kitty started the fight, after her opponent let slip how glad he is Reverand Stryker is preaching about the need to wipe mutant kind out.  Danny calls Sprite (Ariel now, apparently) a mutie-lover before slinking away.  Kitty is still swearing vengeance; Stevie tries to calm her down.  "They're only words."

What happens next is one of my clearest memories of any comic I've ever read; Kitty turns on Stevie and screams "Suppose he'd called me a nigger-lover?"  When I was younger, this made total sense to me: hating mutants is as bad as being a racist.  Looking at this with older eyes, I'm less convinced.  I was pretty loud in condemning Steven Moffat for having characters in Doctor Who state that murdering the Doctor would make one a greater war criminal than Adolf Hitler.  Shouldn't the same hold true for suggesting the oppression of a fictional group of people can be sensibly compared to the hundreds of years of oppression suffered by African Americans?

I'm genuinely asking, here.  One straight white guy asking whether another straight white guy gets to make comparisons regarding oppressed minorities.  The fact that Kitty said it is fair enough; I've known claims to victim-hood made by older people for far less reason, but having Stevie agree?  I lack the necessary experiences to call this one way or another.  All that said, if we consider that mutants are a better analogue for homosexuals than they are for black people, then having someone argue that tolerance of homophobic slurs is an odd stance for an African American to take would be an interesting point, though I'd think not one best made in a superhero comic.

Like I said, I've got no answers here.  But this has all become rather heavy.  Let's get back to the action: there's a Purifier team right outside the dance studio, watching everything that's happening.  After some debate they decide to let Stevie live, for the moment at least (basically they want to kill the mutants first, and move on to the traitors later), and just radio in the movements of Ariel, Colossus, and the accompanying Illyana.

Back at the mansion, Kitty floats upstairs to do some brooding, but the rest of the team are settling down to watch Xavier on the television.  He's on some unnamed current affairs program, debating with the Reverend Stryker.  It's logic versus demagoguery, and with the produces trying to wring out the maximum amount of sound and fury, Charles doesn't really get the best chance to put his views across, and looks like he might have lost to a man so stupid as to argue that by naming mutants homo superior scientists have demonstrated they are an entirely different species from mankind (note to self: name Christina Hendricks my wife).

That said, I wish we could have seen Xavier respond to Stryker reading out a quote from Senator Kelly: "The ever-increasing number of mutants poses a clear and present danger, both to the United States and the socio-political order of the world as we know it."  I think the second of those two is probably quite right, to actual, and whilst I'm not sure I'd say the socio-political state of the world at the time (or for that matter now) was any great shakes, you can't address the risk of massive global upheaval just by re-iterating that mutants are humans too.

As the program ends Scott, who's standing alongside Ororo just off-set, gives his unequivocal opinion: "We were slaughtered".  Worse is to come, though; Stryker is planning to attack the trio of mutants in Central Park, under the cover of a psi-dampener.

Which is exactly what happens.  Interestingly enough, the strike comes just moments after the professor laments the fact that, unlike with villains such as Magneto, Stryker isn't someone the X-Men can physically challenge, and can instead only battle in the court of public opinion.  It would be fascinating to watch something like that actually go down.  Indeed, recent storylines in UXM have brushed on this, but still ultimately fall back on lots of punching.  I realise it's the nature of the beast that everything will ultimately end in a flurry of mutant fists, but the political angle is worth exploring more thoroughly from time to time, I think, and it seems odd for Claremont to bring this up just four panels before the Purifiers try to blow up their car.

The ambush is over very quickly.  The X-Men's car skids off the road and overturns.  Cyclops is shot as he pulls himself from the wreckage, and Ororo, weighed down by the professor, is tagged seconds later.  Moments after, the car is engulfed in the blast on an RPG.  None of this looks good for our heroes.  Indeed, when Nightcrawler picks up the phone a little later, as the rest of the team cool down after a particularly strenuous Danger Room session, he is given the bad news: Charles, Scott and Ororo were in "accident", and all three have been killed.

Chapter 2

The next day, we find Kitty by the lake, mourning her friends.  Naturally, in Ms Pryde's case, mourning requires that she shout at everyone around her. Illyana calms her down by pointing out "they were my friends too". Poor old Illyana, I really feel for her.  One more self-obsessed tantrum from her best-friend-by-default and I think Limbo's going to start looking like a fairly decent option.  She tries to at least get some interest out of Kitty's mope-fest by teasing Kitty over her crush on Illyana's brother, but even that goes sour when Kitty starts complaining about how horrified her parents would be to find out she's hankering for a little slice of nineteen-year old.  She even strays onto the subject of sexytimes, which not surprisingly makes Illyana want to change the subject.

Luckily, the young Russian has just the topic; she's found an electronic listening device on the grounds (presumably this wasn't difficult, since it's two feet tall and almost as wide, and hidden by a few pieces of green cardboard).  Kitty has one of her much better ideas, and creeping up behind the camera, she shorts it out with her phasing power, and the two of them hide in the bushes to watch to see if anyone comes to fix the device.

Over at Central Park, the rest of the team are checking out the place where Xavier's car crashed.  Wolverine can tell right off that something's wrong - the scents of the dead and burned bodies don't match their friends (I wonder who they were?)  When Colossus asks how Logan can be sure, his response is that he's staged his own "accidents" more than once, which brings up all sorts of unpleasant questions that Peter, perhaps wisely, chooses not to pursue.  On a nearby lamppost, Nightcrawler is watching the nearby roads, and reports two men have been checking out the group's car, and are now waiting close by.  Love how professional the X-Men are being here.  No more of this "show up, and wait to see who punches us" nonsense.  This time, they get to start the punching themselves, which is exactly what Logan suggests.  The first the Purifier's squad leader knows of having been rumbled is when a blue fuzzy shape suddenly obscures her binoculars.

Her response is to floor her car, hoping to kill herself and Nightcrawler.  Kurt is fast enough to teleport both himself and the driver to safety; those in the back seat are less lucky.  The other Purifier units arrive, dressed in those full-body armour suits that are all the rage in comics, and get stuck in.  They take out Colossus first, and look like they're going to roll their way up the whole team, until at the last second our heroes are saved when their attacker's armour is stripped away, then used to encase its erstwhile owners.  It's not too hard to work out what's happening even without the blue power signature: Magneto has shown up to lend a blood-drenched, murderous hand.

Back at the mansion, the technicians have finally arrived to fix the broken snooper. They've brought back-up in the form of another dude in power armour, which Kitty and Illyana weren't counting on.  Kitty phases into the ground, hoping she can get far enough across the clearing to come back up in cover, and use a distraction to keep the enemy away from Illyana.  Just as she reaches the surface, though, the Purifiers get their scanner back on line, and it immediately detects Illyana as, not a mutant exactly, but certainly something weird. The Purifiers shoot her, and carry her unconscious body to their car.  Kitty quickly phases unseen into the car boot, so as to keep tabs on her friend. Alas, she trips an alarm somehow, and the Purifiers fill the boot with nerve gas as they drive away.

A little later, the rest of the team arrive at the mansion, along with Magneto and four captured Purifiers.  Wolverine tries to threaten the location of their base out of them, but when that fails, Magneto just tortures the shit out of one of them instead.  This proves effective, but certainly not uncontroversial.  Colossus registers his objections, as does Nightcrawler, who asks "But if we use our foes' methods... how are we better than thay?"  The answer to that, Kurt, is that they're using those methods to exterminate a sub-branch of humanity.  You're using them to protect people.  That doesn't mean it's morally acceptable, or even tactically wise, to use it (and for sure had this been real, and I been there, I hope to hell I'd have the courage to stand with Peter and Kurt), but the idea that this makes two groups indistinguishable always strikes me as a poor argument.

Chapter 3

Atop the World Trade Center, Professor Xavier is being crucified and tortured by his X-Men, each of whom has been transformed into some kind of demon.  They'd have managed it too, killed them man who brought them together, gave them purpose, but at the last minute he's saved by a beam of holy light and the arrival of Jesus Christ.  For a moment this is enough to make Xavier believe but, as the Son of God reaches out to him, Charles lets doubt flicker through his mind, and he finds himself cast into the abyss -

- By Phil, a disheveled technician working for Stryker.  He's hooked Charles up to some kind of VR system designed to convinced him of the need for God's salvation, and to help things along the professor has also been linked up to Scott and Ororo, who are being methodically tortured so that Charles will subconsciously pick up their discomfort.  It all seems an exceptionally complicated and expensive way to be a total dickhead, but I'm sure Stryker has a specific goal in mind.  Indeed, when Ororo asks just what the hell he thinks he's doing, we're treated to a flashback.  Which looks absolutely beautiful, by the way, all sepia tones and a style that borders on Impressionism.  This isn't actually the best example, but it's the only scan I could find:


Long story short: Stryker's child was a mutant, so he killed it, and his wife, before trying to take his own life. He failed, and became a reckless, violent drunk, until it finally became clear to him that he wasn't to blame, that his wife had been evil, and that murdering his her and their newborn baby was proof that he had been chosen by God.  Not, in other words, someone you'd hope to reason with.  Especially since he now considers Xavier to be the Antichrist.  If nothing else, you'd think the son of Satan would be rather better at TV debates, wouldn't you? Not that there's any telling Stryker; he's too busy quoting the Bible, and ordering Kitty be killed.

The car carrying Illyana has made it as far as the South Bronx, which is where they stop and riddle the boot with machine-gun fire.  Apparently they've rigged their cars to deploy knock-out gas to the boot, but not anything fatal. I'd call that an oversight if this whole thing wasn't so ridiculous.  Anyway, the wall of lead they unleash doesn't actually do any good: the boot is empty!  Not to worry, though; The Purifiers' leader Anne has the signal, and her team snaps into action.

Kitty is wandering through the Bronx after dark; feeling awful after having inhaled a whiff of gas.  She phased a fraction too slowly, apparently (I'l just note for the record that the gas was deployed whilst the Purifiers were still at Xavier's, and thus this makes chuff-all sense).  She meets up with the Warriors, or at least some close cousins, who promise to protect her in exchange for - well, let's not think about that too much, shall we? In any case, Anne arrives, guns blazing, and Kitty escapes during the ensuing shoot-out, managing to call the mansion and give her location to Nightcrawler before the Purifiers catch up with her.

They corner her on a train she phased into, shooting the conductor and announcing it will appear that she was to blame.  I've no idea why they think this is going to work, but it turns out to be a moot point; Magneto has arrived, dead set on vengeance. The X-Men are hot on his heels, and between them they make short work of the Purifiers.  Kitty is surprised to say the least over this strange alliance, but whilst Nightcrawler teleports as many of their unconscious foes to Riker's (sic) Island prison as he can, Magneto removes the bullet from the stricken conductor as an act of good faith, and forms a "flying carpet" of metal for the mutants to ride, first to a hospital to drop of the wounded conductor, and then - to war!

But are they already too late? Back at the Crusade HQ, Phil has finally broken Xavier, to the point where he's willing to burst Scott and Ororo's brains in order to prove he's all about the Word of God.  Doctor Phil has clearly done his job well, but as he leaves in his limo to head home, he discovers his reward will be: getting kidnapped by Ariel.  Oh, the shame!  Phil's probably relieved when Nightcrawler starts choking him. For all his earlier protestations, Kurt's at least learned something about the value of instilling fear.  We're spared the rest of the interrogation, but I can't imagine it was particularly pleasant.

Back to the Stryker building, and Anne has arrived with Illyana.  The broken bodies of Cyclops and Storm are to be taken to the basement to be incinerated, and the plan is to drop Illyana off on the way, for whatever unpleasant procedures the Purifiers have in mind for her.

Instead, though, the elevator starts to climb.  Magneto, as Anne realises in horror, has finally found them.  The best she can do is to force open the doors and fling herself onto the building's roof, as the master of magnetism pulls the lift to the top of the nearby Twin Towers.  There, Illyana and her brother are reunited, and Wolverine gives Scott and Ororo the once-over, declaring them somewhat less dead that Dr Phil believed. Logan recommends a short course of electro-shock therapy.  The endlessly inventive Magneto obliges, shaking the two X-Men from their near-death states, apparently induced in them by Xavier, who had just enough free will left to not actually scramble their brains.  That's a horrible cliche, of course, but given Claremont didn't make much of their "deaths" to begin with, it's not really all that much of a deal.

What comes next is certainly a lot more interesting; Cyclops is not remotely happy to discover his team are working with Magneto. An argument breaks out almost immediately, with Magneto pouring scorn on Scott for bothering to try and save humanity in the first place, and Scott demanding to know what would make a mutant dictatorship any better.  Magneto's response is arguably the first time that he becomes a sympathetic character as he is (as oppose to having sympathy for what he's endured in the past).  The man is absolutely convinced that with mutant-kind in charge they can eliminate famine, pestilence and war (death might have to wait his turn), and that humanity would happily give up some of what it narrowly defines "freedom" in exchange for never having to go a day with an empty belly or a sore throat.  In all honesty, I can't be entirely sure the man is wrong about that.  The rub, though, is in how many would have be killed or incarcerated to get to that point.  It's one thing to keep someone in food and antibiotics forever, and quite another to start doing that the day after you killed her husband.

Chapter 4

The American media has gathered in Madison Square Garden, awaiting an alleged game-changing sermon from Reverend Stryker.  Discontent is beginning to brew over his hard-line "mutants < human" stance, and tonight, he promises to address that.

And address it he will, though not necessarily in the way anyone might expect.  He's slapped together his own version of Cerebro, and he's planning on having the brainwashed Xavier use it to make contact with as many mutants as possible, before melting their brains.  Even Anne's arrival to warn him of the X-Men's escape and Dr Phil's abduction doesn't phase Stryker: he is on a mission from God, and tonight he fulfils his objectives.  To that end, he heads to MSG, launches into his exceptionally unpleasant and bigoted speech and, halfway through (just as he gets to the point that the Bible mentions neither mutants nor evolution, and therefore scientists are evil and mutants are hellspawn), he activates his Cerebro rip-off.

The effects are instantaneous.  The X-Men begin to bleed from their ears, and nearby mutants pass out from the strain.  Logan immediately notes the bind they're in: if they do nothing, they may well end up dead.  If they attack Stryker on national television, they'll seemingly be making his point for him.

That's an atypically restrained conclusion for the usually bloodthirsty Wolverine to come to, but it turns out not to matter.  The X-Men might cast away whatever reputation they've built up by attacking Stryker, but Magneto has no such concerns. Upon his arrival, Stryker immediately labels him as "self-styled overlord of Earth, enslaver of its people!", but it looks as though at least some in the crowd might be beginning to work out exactly who the real villain is here.  Not that it does Magneto much good, as Stryker redirects the entirety of his mind-weapon against him.  He falls into the crowd, and everything goes mad as most of them try to trample him to death, the security guards try to pull him out, and Stryker's psychic device seems to start affecting random humans as well.

The increasingly damaged and unsteady X-Men launch an assault at the building's entrance, hoping to sweep the Purifiers away as quickly as possible so as to grab Xavier and drag him from the machine.  It doesn't look like they'll make it though; Charles has set up a psionic shield there seems to be no way to penetrate.  Even so, their attack is worrying enough for Anne to run to Stryker to warn him, only for her nose to start to bleed.  That's enough proof for the reverend that she too is a mutant, and, in front of the TV cameras, he tosses her from the stage, apparently breaking her neck in the process.

The mood of the crowd begins to turn.  Some are still intent on blaming Magneto (presumably using my sister's approach to arguing, which states arguments can't start following ridiculous and offensive comments unless someone is unfair enough as to object to them) , but more are realising that a guy who'll instantly turn on his second-in-command is maybe a tad too unstable to be in charge of anything more complicated than a one-man band.

Back at the battle, it's become clear to everyone that they can't work their way forwards to Charles' position.  At Logan's urging, Scott moves to the back-up plan: 'Crawler teleports Wolverine directly behind the professor, whilst Scott ricochets his optic blast of a few walls before clipping Xavier on the temple.  The idea is that either Cyclops can stun their mentor, or Wolverine can kill him.  Fortunately for the mental well-being of all involved, it's Wolverine the professor chooses to feel the brunt of his psychic force, and whilst Logan and Kurt stagger back in pain, Cyclops knocks Xavier out, before turning his eye-beams on Stryker's machine.

Then, they step on stage, determined that this fight will end with words after all.  It shouldn't be hard: Stryker seems to have gone entirely off the rails, demanding all and sundry recognise that he is the chosen of God.  All the X-Men ask is that people consider the possibility that perhaps a mutant is no further from God than any other person blessed with abilities that separate them from the rank and file.  It's even possible that mutants are part of God's ultimate plan for humanity and therefore, in fact, mutants are closer to God than anyone else.  More, in that sense, "human."

Stryker is so offended by the suggestion that Nightcrawler could be considered human that he reaches for his gun, and when Shadowcat defends Kurt (and quite eloquently, in truth), he trains the gun on Kitty. A shot rings out... and Stryker falls to the ground.

This is my favourite part of this whole novel: Stryker is shot not by Magneto, or another mutant, or even Anne (who I assumed must have been responsible when I first read this), but by a random cop.  Some nameless police officer who saw what was happening and acted.  A human mind that the X-Men had persuaded.  Chekov might have been pissed at that, but it works for me.

Epilogue

Magneto and the X-Men watch a news broadcast on Stryker.  He survived the cop's bullet and is loudly insisting that the courts will clear him of all charges.  Magneto rubs salt into everyone's wounds by pointing out plenty of people are arguing Stryker was basically correct, merely too extreme in his approach.  The resultant malaise is so strong that for a moment Charles considers packing it all in and signing up with Magneto, only for Cyclops to slap him down hard, not just for losing faith, but for doing so having spent so much time teaching the X-Men to follow him.  Shamed to his senses, Charles refuses to join Magneto, and the X-Men's original enemy flies into the night.

So after all that, how does this now almost thirty year old book hold up?  Damn well, is the answer.  The artwork is gorgeous, and the story has proven its value by the number of time later writers have attempted to put together something similar.  As a happy bonus, Claremont has dialled the wackiness to zero, and whilst he's never going to be the world's best writer of dialogue, much as with the Wolverine series he did with Frank Miller, his script matches the tone of the story and the artwork pretty well.  This, to me, is where the X-comics truly came of age.

Clues

The team roster used in this issue together with the fact the mansion isn't in pieces means this story can only take place either between UXM #150 and #154, or after UXM #167.  The Essential X-Men series seems to think the latter (which is why I'm covering this graphic novel now), which is backed up by the fact that Shadowcat is wearing a costume most similar to that she wears around this time.

On the other hand, she shouldn't even be in the team at present - or at least, she can't be if Cyclops is.  I suppose though one can easily argue that Stryker isn't likely to make the distinction between a former member now transferred and a fully-fledged X-Man..

The story itself takes place over eight days, but the X-Men themselves only become involved on day three.  We'll therefore place this story between UXM #167 and UXM #168, during the week we already assumed separated those issues.

Date

Saturday 9th to Sunday 17th of July, 1983.


X-Date


X+5Y+100 to X+5Y+107.

Contemporary Events

Chad forces retake the city of Abeche.

Standout Line

"Once more, genocide in the name of God.  A story as old as the race." - Magneto

Friday, 18 May 2012

Where Lurks The Black Widow?

Following on from my earlier comments on Front Row's John Wilson being totally unable to turn in a coherent and honest review about a simple summer blockbuster, Doctor Science over at Obsidian Wings has put together a long post delving into multiple reviews of The Avengers.

The conclusion he emerges with is fascinating: the men writing about the film are commonly totally incapable of sensibly discussing Scarlett Johansonn's role, to the point where on several occasions they, like Wilson, actually start complaining about things that didn't actually take place.

For anyone with an interest in gender relations in comics and their spin-offs (which should be all of us, really; there's still an awful lot of work to do), I highly recommend reading the good doctor's post.

Sunday, 13 May 2012

DAZ #22: "Sisterhood"


(Mothers, fathers, half-sisters, and lesbian foster parents)

Comments

Oh.  Apparently Angel still hasn't headed out of New York, even after realising trying to seduce someone by meddling with their family history is a stupid idea.  If he's got another trick up his sleeve to get Dazzler out of her skintight silver catsuit (a goal we share, though in my case it's so she can put something less ridiculous on), I don't know if I want to hear it.  Of course, we may never know, since apparently Angel has been marked for death.  The weapon to be used?  Trained killer eagles, obviously, because they're more expensive, harder to control and tougher to conceal than a gun.  Who wouldn't opt for assassination by accipitridae?

Maybe someone who's trying to kill a highly-trained acrobatic flier, I guess?  Angel's barely clocked the sinister death flock when he starts defensive manoeuvres, dodging and weaving so quickly he not only disorients the birds, but the panel order as well.  Now that's impressive.

Meanwhile, Dazzler is being driven to a recording studio by Lance.  Her first demo is gonna get cut today! But even whilst so excited about her blossoming career, Alison is still looking out for the little guy (so long as doing so doesn't require her to not get what she wants all the time).  On this occasion she sees a skater crossing the road, her ears too full of music from her walkman to notice the blaring horn an oncoming car.

Instantly, Dazzler snaps into action, turning the radio up for a quick boost and lasering the girl's Walkman. Now able to hear the horn, she has time to swerve and avoid being splattered.  This might be one of the most egregious examples of comic-book-time I've seen since the late '60s.  There's time for Alison to fiddle with the radio, aim, fire, the girl to hear the honking of the car and move out of the way, but there's no time for the car itself to break?  Really?  Ahm gonna go 'head call bullshit on that sucker.

Over at the Electronic Oz recording studio, Dazzler and band get down to business under the watchful eye of "genius producer" L. B. Holman.  The guys a perfectionist who pisses off the whole band in exceptionally short order, but I've read about Phil Spector; this guy's a pussycat.  Besides, they have plenty in the can by day's end, and it's time to break out the bubbly, though Alison's celebratory mood is slightly tarnished by the absence of Ken, who's buried in his fancy lawyerin' books.

Others are hard at work too.  Over Sutton Place way, Mystique, Destiny and Rogue are discussing their latest evil plan for evil: stealing anti-personnel hawks from the Pentagon (I swear I am not making this up) have apparently not done the job RE: doing the Angel in.  Mystique admits that she'd assumed this would happen (assumed? Couldn't Destiny have told her what was going to happen? Or at least that her idea was scrambled mental on dumbtoast?), but wanted Angel scared, for when they kill him as revenge against the X-Men.

Let's leave such villainous considerations, though, and return to Dazzler's increasingly complex family life.  It's a big couple of days for both of Alison's parents: Carter is sending his wife's mothballed effects to her apartment (letting go of his past like that makes him weep openly, though he may also be upset over having to wear such hideous neon pink trousers). Meanwhile, "Barbara London" is preparing a meal for her second daughter Lois.  Babs is finally going to spill the beans about Lois' kinda-famous half-sister.  She's kind of nervous about coming clean, so much so that she smashes a pair of spectacles, and then calls them a goblet (this issue is starting to look a little slapped-together, actually, but then that's perhaps not surprising coming straight after a double-sized book).  Apparently, the secrets in Barbara's past have always been a wall between her and Lois, but she refused to talk about it.

'm beginning to wonder if there is anything this woman hasn't managed to screw up regarding her family, actually. Her first marriage ended in tatters (though in fairness Carter deserves at least half the blame for that, and probably more), she abandoned her first child to go live with a drug-dealer, then had a second kid to try and cement that relationship, only to end up an abused addict, and when she finally decides to get her and Lois out of that horrorshow, she drives a wedge between the two of them by refusing to talk about what happened before all the cocaine-binges and beatings Lois had been forced to witness.

Outside a New York cinema, we find Alison once again determined to prove that jaw-dropping self-absorption is buried in her family's chromosomes, as she tears Ken a new one for the crime of not abandoning his clients whenever she needs him.  Actually, I think she has a reasonable case in general; just because your partner's job is important it shouldn't mean you can't expect them to make time for you (though right now the argument is about why Ken won't take her dancing immediately after he's taken her to the pictures).  It's Dazzler's approach that's the problem here, storming off to the nearest taxi and telling Ken she'll "maybe" call him.  Maybe if he won't leave people needing legal counsel because he loves her, Ken will abandon them because he doesn't want her to throw tantrums anymore, huh?

Back at her apartment, Alison has second thoughts, wondering if she really is too self-absorbed.  I heard a choir of angels when I read that line, I can tell you.  The answer, young Ms Blaire, is helllllll yeah.  Speaking of angels, rather than just ruminating over whether she's a piss-poor girlfriend, she starts to think about what she should be doing with her powers, and decides to go ask Warren for input.  Which might not be the smartest move, actually.  I'm sure he'll have something useful to say on the topic of superheroism, of course, but if you're worried about whether you're helplessly narcissistic, I don't see Angel being of much use on the subject.

For a moment, it doesn't look like it'll matter in any case; Angel's hotel room appears abandoned.  Actually, though, he's just hiding in the shadows, hoping to surprise whomever it was sent those trained murder-birds his way on page 1.  He's not in the best of ways, covered as he is with cuts and scratches (how good of him to wander around topless to allow Alison to gauge his precise level of damage), but since he's pushing the manly hero image, Dazzler decides she may as well keep him up all night bitching about her problems.  Good work curbing that self-obsessed streak, Ali!

It doesn't even work, really; by morning Dazzler's just as confused as ever.  Warren suggests they visit Xavier at his mansion, and see if he can help.  Alas, Rogue and her foster mothers have other ideas, and  our intrepid duo are quickly intercepted.  As "the sisterhood" explain their plans, we quickly learn two very unpleasant facts, first that Dazzler is about to experience great personal tragedy involving someone she loves, and second that if you punch Angel a few times he gets stupid enough to believe his Colorado-dwelling girlfriend has suddenly arrived to fight a powersucker, a precog, and a shapeshifter who's suddenly nowhere to be seen.  This is a damn harsh thing to say, but Angel deserved Mystique's knee in his testicles.

Whilst Warren attempts to recover from that lowest of all blows, Rogue offers Dazzler a place in their organisation.  A chance to be at the forefront of chick-crime.  Dazzler's reply is a laser to the face, but Rogue has no trouble tossing her away, or decking Angel as he attempts to escape.

The plan now is for Rogue to absorb Angel's memories, presumably to make taking out the rest of the X-Men more simple (though of course once she comes across his memory of being told they're all missing presumed dead, that would rather make the whole jig moot), but she refuses, fearful of growing a pair of wings and looking like a freak (presumably someone told her that her thick grey streaks are perfectly normal for a woman in her early twenties).  The girls fall back on Plan B - take Angel to their hideout and punch him in the gonads some more - but Alison comes to and launches a rescue attempt.  Rogue and Mystique are dazzled before they can respond, but Destiny's blind eyes are of course immune, so Alison relies on a knuckle sandwich to do the job.  Moments later, our heroes have stolen their opponents' helicopter, and made their escape.

We return once more to Alison's apartment, where she and Warren discuss their adventure and how likely the villainous trio are be planning revenge, but Dazzler has more immediate problems right now: her half-sister has just shown up...

Clues

There's no suggestion as to when this story takes place, though since Rogue mentions her fight with the X-Men in UXM #158 it must be at least early May.  There's also the fact that Warren talks about Xavier's mansion in the present tense.  That puts this story somewhere around the time Xavier formed the New Mutants (so even if Dazzler had made it to the mansion, she'd have been asking advice from a man taken over by a Brood embryo).

We'll therefore place this story about a week before MGN #4 begins.

Date

Sunday 5th June, 1983.

X-Date

X+5Y+94.

Contemporary Events



Standout Line

"Maybe I am too self-centered, too narcissistic."
 

Friday, 11 May 2012

Timeline: 1983 Jul - Dec

July
1st     MGN #4: Renewal
2nd    MGN #4: Renewal
3rd    MGN #4: Renewal
4th    MGN #4: Renewal
5th    MGN #4: Renewal
6th    NMU #1: Initiation
6th    NMU #2: Sentinels
9th    NMU #3: Nightmare
9th    UXM #167: The Goldilocks Syndrome (Or: "Who's Been Sleeping in my Head?")
10th UXM #167: The Goldilocks Syndrome (Or: "Who's Been Sleeping in my Head?")
12th UXM Annual 6: Blood Feud!
13th UXM Annual 6: Blood Feud!
17th UXM #168: Professor Xavier is a Jerk!
17th UXM #168: Professor Xavier is a Jerk!
17th UXM #168: Professor Xavier is a Jerk!
17th UXM #168: Professor Xavier is a Jerk!