Giant-Size X1C: "The Thing (From Another Aisle)", "Invasion Of The Bobby-Snatchers", "The Day The Earth Just Would Not Stand Still"

(Late night triple-feature.)

Comments

Well, this is silly.  Wonderfully, unashamedly silly.  I don't know what got into the drinking water at Marvel's subterrenean volcanic lair that month, but it apparently convinced Parker that the best approach to the second X1C special (don't be fooled by the title, it's only "giant-size" because it re-prints UXM #40 AKA "The X-Men vs. Frankenstein's Monster That's Actually An Alien Android Shut Up Why Are You Laughing?") would be to write three stories based on classic sci-fi movies only without aliens.

I have no idea what led Parker down this gloriously insane path, though there's a clue at the very end where he implies the three "X-Files" (BECAUSE OF THE X, DO YOU SEE?) that Beast is tasked to solve were actually handed to him by a Skrull sleeper agent.  What better way to tie into Secret Invasion than to have the team debunk assumed alien threats.  It's just the sort of ridiculously complex yet strangely cunning plan the Skrulls live for - use their alien influence to have unsuspecting heroes disprove the existence of aliens.

Of course, maybe if Parker hadn't been chugging down quite so much H20LSD, he might have thought twice about two consecutive stories based on a mad Antarctic-based vegan accidentally creating sentient tofu, but it's not like The Thing or Invasion of the Body-Snatchers were really all that credible to begin with, or indeed are the X-Men themselves, as much as fans (including myself) want to believe otherwise (though this may be yesterday's arrival of the next three issues of the thoroughly self-unaware XHY talking). 

Even so, the best of the three stories is "The Day The Earth Just Wouldn't Stand Still", in which the X-Men themselves are mistaken for alien by the North Koreans, and resort to pretending to be Gort and Klaatu in order to escape with their lives (all drawn in wonderfully atmospheric monochrome, of course).

Clues

It would be tempting to write this whole issue off as some kind of group hallucination brought on by massive cheese consumption (making it more of a hallumi-nation, I guess.  Huh?  Huh?  SHUT UP I AM HILARIOUS!), but the Skrull coda suggests we're supposed to take this seriously, or at least as seriously as that time when Wolverine met those Leprachauns. 

Xavier mentions Beast can make use of any X-Men who aren't busy with exams at that particular time, and the team goes through at least one personnel shift during the issue (dude, seriously, why is Angel back?)  Let's assume the eXam period (see what I did there?) lasts a week, and all three stories take place within that period (I'm skipping the distinctly Poe-flavoured Vigil of the Mad, which is brilliant both in concept and structure, but which is too keen to have mini-Charles Xavier brick up his curious, gin-loving neighbour to be properly considered canonical).

Date

Wednesday 26^th April to Tuesday 3^rd May, 1979.

X-Date

X+Y+24 to X+Y+30.

Contemporary Events

Greenland acquires home rule (though full autonomy takes a further three decades).

Standout Line

"On our world, there are many enforcers like this.  Keep up your warlike ways, and I will not be able to stop them from returning to reduce this planet to cinders! So anyway... we have another planet to threaten.  Good day!" - Beast.

X1C (v2) #16: "4X"

(A slum of ice and fire.)

Comments

I've decided that it's the little touches that make this comic so much fun. Last issue it was Jean trying to telekinetically animate her hair, this time it's Sue Storm fashioning her force field into an umbrella to keep the falling debris off her husband while he works.

It's just another way of distinguishing this book from the kind of po-faced retro wretchedness that clogged up the first three issues of XHY (and from what I can gather, I shouldn't have high hopes for the rest of that series, either).  It also means an issue like this, which are nominally supposed to brig things to a conclusion (there's still a special issue and the four part First Class Finals miniseries to get through, but this is the last issue of X1C as an ongoing book) can get away with being as lightweight as it is.

I can even forgive yet another guest appearance, since Bobby and Johnny are absolutely made for each other (did we really need Spiderman as well, though?).  It makes perfect sense that the two responsibility-phobic teenage boys from their respective teams would try to prove themselves by moving into their own pad (paid for by one of their relatives, natch).   It's like the first week of university, only with the emphasis more on finding cool villains to fight rather than girl to sleep with. 

Not that any self-respecting undergraduate female would be caught dead in that apartment.  You can tell how long our heroes have been in there by counting the pieces of discarded crap on the floor.  It's like stinky tree rings.

Of course, such domestic bliss cannot last.  Two adolescents who can't stand the company of adults are unlikely to do much better with each other.  Like-pole magnets have nothing on teenage solipsism when it comes to mutual repulsion. The neutral observer can see trouble coming when Bobby starts bitching about his team having only one girl to a guy who's only options for an intra-team romance are homosexuality and incest.  Which is a little thoughtless, I think, though admittedly Johnny ups the ante rather too much by trying to pull Bobby's girlfriend (these kids today, huh?)

Before that happens, though, there's just enough time for a scrap with two super-villains - the Scorpion and the Beetle, foes more commonly seen brawling with Spiderman but who have now been press-ganged into service in the "4X" rogue's gallery ("We ain't "your" bad guys!" "Yes you are, I called it!").  Frankly, I think these two deserve their own series.  With lines such as "The beetle is un-beetle-ble." and a name like "the Insidious Insects" ("Avaricious Arthropods" would be more accurate, of course, but one shouldn't expect too great a grasp of taxonomy from one's street-level supervillains), it'd be brilliant! 

In conclusion then, an entirely throwaway but very funny end to an entirely throwaway but frequently very funny book.  Good job all round.

Just for the record, though, why did Angel come back?

Clues

This issue takes place over three days.

Date

Sunday 23^rd to Tuesday 25^th April, 1979.

X-Date

X+Y+22 to X+Y+24.

Contemporary Events

Anti-Nazi League demonstrators and the Metropolitan police clash in Southall over a National Front town meeting.  Activist Blair Peach is knocked unconscious during the fight, and dies the next day.

Standout Line

"The Iceman is in fact... BOBBY DRAKE."
"Yeah... that doesn't really mean anything to me."

X1C (v2) #15: "Bad Hair Day"

("Much hair-do about nothing")

Comments

Boo!  This recycled cover is a disgrace!  And for an issue that features not one but two redheaded women!  I am outraged, I tell you!  Outraged!

I guess they make up for it inside, though.  There's one panel in particular, where Jean has her tongue stuck out in concentration as she tries to use her powers to move her hair like Medusa's, that's easily may favourite ever image of the young Ms Grey.

On any other day, I'd probably have really liked this issue - there's a lot of great dialogue, and having Medusa stay (however briefly) at the mansion because she can't be sure she isn't a mutant is a reasonable set-up.  Today, though, I'm not so charitably inclined, because a) it's another special-guest issue and I'm sick of them, and b) Medusa's "amnesiac alien" routine is a bit too reminiscent of Machine Mans "awkward robot" shtick from the last two issues.  Again, that sort of thing can be fun, but it's not really particularly taxing, and trying twice in a row feels a little lazy.

You do have to respect a supervillain who rings the doorbell, though.  Even if he is doing it with the barrel of his super-advanced ray-gun.  Manners cost nothing, after all.

Oh look, Angel's back, as of course he ultimately had to be.  I guess arial sex with a never-ending supply of half-naked hotties doesn't really make up for not being able to spend his ludicrous amounts of money.  Must be tough to be a millionaire, huh?

Clues

This issue takes place over two days.

From the conversation the team are having whilst on the X-jet - regarding the destruction of X-50 in their last adventure - it seems plausible that they are returning from that mission when this story starts, placing this issue on the same day as the previous two.

Date

Friday 21^st to Saturday 22^nd April, 1979.

X-Date

X+Y+20 to X+Y+21.

Contemporary Events

The National Academy of Sciences in Washington, DC unveil the Albert Einstein Memorial.

Standout Line

"Then we jump off at the last second before it hits, right?"
"Yes, because physics works just like your favourite cartoons" - Iceman and Beast.

X1C (v2) #14: "Lava Man Attack!"

("Our destructive robot pal.")

Comments

Hoo, boy.  I would not want to be Dr Stack right now.  Just as soon as you've discovered that your mechanical progeny won't defend his new team-mates without your express orders ("He appears to be carefully recording our demise for posterity!"), it turns out that all the other robots back at the lab have joined hands for a few quick choruses of "Kill All Humans!"

It's like Sophie's Choice, only you've built the machine that's making you choose in the first place.  Think of the stress!

Actually, remove the body count and this is pretty much what life is like for all academics, all the time.

You have to feel for the X-Men too, advancing into a tunnel filled with Lava Men whilst trying to keep quiet about the fact that Aaron could go nuts at any moment (having already seen that "go nuts" can include detaching his head and using his arms to slaughter indiscriminately everything within a ten foot radius).  They try to keep him as at ease as possible, but the ungrateful robo-wretch still goes mental the very instant he gets his face torn off. Which is probably the sort of thing that would invalidate the warranty, I suppose, but even so...

Seared by lava or disemboweled by an android with a terrible hair cut?  Man, there are some tough choices on offer today.  Not least our own, which is whether we should feel gypped that we're watching the X-Men fight creatures fashioned from living molten rock, instead of watching a crack team of US soldiers blowing the crap out of a small army of killer robots. 

Truly this issue is a moral minefield.

Clues

This issue takes place over a few hours.

Date

Friday 21^st April, 1979.

X-Date

X+Y+20.

Contemporary Events

Dominic Zamprogna (James "Jammer" Lyman in Battlestar Galactica) is born.

Standout Line

"Stop hitting yourself.  Stop hitting yourself." Telekinetic powers = all kinds of bitchy fun.

X1C (v2) #13: "Rise, Robot, Rise"

(Lava and robots and sloths.)

Comments

Today's extinct mammal: the megatherium.


It's a good job my friend A doesn't read this blog,
 she has a crippling phobia of sloths.  True story.

Even though it's a massively overrated film (except HAL's final moments, which are genuinely beautiful), I'm willing to give plenty of bonus points to Parker for a brilliant 2001: A Space Odyssey riff here, in which the megatherium bone Hank tosses in the air (whilst resembling a cave-man in both pose and rage) turns in a single frame to a telephone receiver.

The reference is more than a quick joke, as well.  We move in this issue from a gift from the prehistoric Land of the Mists to the arrival of the original Machine Man and his creator, Doctor Abel Stack.

This issue makes a lot out of the "robot fails to adequately understand human interactions/speech patterns" idea, which is frankly probably one of the laziest comedy routes available for a writer, but that doesn't mean it can't raise the odd chuckle ("I take no offence, female"; "I will not terminate canines unless they pose a direct threat to national security").  There's also a nice callback in the X-Men initially assuming Machine Man is the Super-Skrull, since his powers seem to be limited to fire, strength, and being stretchy.

Also featured: Lava Men! Giant red-hot super-strong vandals that apparently have been covered up as "hoaxes"!  How can that possibly work in the Marvel Universe?  A giant alien overlord dressed in purple and blue and sporting a helmet carved from a robotic beetle just tried to eat the fucking planet a few months ago.  Who's gonna find Lava Men tough to swallow?

And if all that isn't enough, serious shit is going down at Stack's base.  Once again humanity has flown, Icarus-like, too close to the Sun, creating machines that wish only our destructions.  Mind you, Stack hasn't really helped matters by ignoring the real First Law of Robotics: if you want your mechanical creations to stay on-side, do not make them look evil/scary as all fuck.

Clues

This story takes place over a single day.  There's no suggestion of how long Angel has been in the Land of the Mists, and presumably Hank could have been given the megatherium skeleton during his initial visit.  Bobby's insistence that Warren will come back within the fortnight also suggests that little time has passed, so we'll place this issue as taking place the day after the team returns from Brazil.

Hank mentions that it's been decades since Mt St Helen's last eruption, which suggests this issue is intended to be set in the 21st century (i.e. that we're supposed to believe that at most eight years have passed between the X-Men fighting Factor 3 and the beginning of Secret Invasion).  As usual, though, we shall ignore specific references to historical events.

Date

Friday 21^st April, 1979.

X-Date

X+Y+20.

Contemporary Events

James McAvoy, future Charles Xavier, is born.

Standout Line

"In the future!  Robots will be able to talk to muffins!  They will tell them to be more delicious!" - Bobby

X1C (v2) #12: "Fly Away"

(Birdman of Alcantara)

Comments

Oh, for God's sake.  Just how many secret prehistoric lands is the Southern hemisphere bogarting, anyway?  C'mon, under-siders!  Swing a few glyptodons our way!

Seriously, those things are cute!

Basically, it's a sloth inside a Tunnock's teacake

Fascinating presumed-extinct mammals aside, this is something of a family reunion for Warren.  First of all, his parents visit the mansion.  Warren's father is certainly interesting, a man with the kind of social ill grace that only the very rich can get away with.  His nominal acceptance of his son's mutation certainly doesn't stretch to him being comfortable with the wings being out on display, and his reaction to Scott's polite welcome is to talk as though he wasn't there: "Except for sporting sunglasses indoors, I like this one."

They in turn tell him his aunt Mimi - last mentioned giving the team the address of a talking gorilla - has disappeared, causing him to head for Brazil.  Turns out she's been living behind a waterfall in the mammary-gland equivalent of Jurassic Park (Paleogenic Park?) and dressing up like Lara Croft.  She's also been grooming a local girl with tales of Warren's awesomeness, which isn't at all creepy and disturbing.

(Mind you, it's a miracle she got here at all, given that the legendary land she was searching for was apparently behind a waterfall in either South America or Africa.  What the hell kind of legend isn't specific about which side of the Atlantic you're on?)

Of course, if we're talking about family reunions, we should probably mention the flock of birds that starts following Warren as he flies over Brazil, thinking that he must be in charge.  This is probably one of my favourite character beats since I started this blog, as Warren admits that he feels guilty when birds flock to him, since he doesn't really have anywhere to lead them.  It's a small window into his basic confusion as to who he is, what he wants, and where he fits in the world, and it makes his decision to stay in the Land of the Mists at the close of the issue all the more understandable, beyond the place being "full of half-naked hotties".

Oh, and just for the sake of pedantry, there's a small continuity glitch in this issue: Scott tells Warren's parents how nice it is to meet them, despite having met them already in UXM #18.  Attempts to fit this story in before that issue run into the now standard problem of how the students are aware of Cerebro.

Clues

I'd initially assumed that this issue was supposed to run concurrently with issue #11, in which Angel was missing, but apparently not, given there's no mention of the team's battle with Mysterio.  I suppose it's possible that said throwdown happened after Jean and Angel end their cross-continental phone-call, but that wouldn't explain why Cyclops suddenly disappears.

I guess we'll have to assume that either Cyclops' or Angel's absence during the "Continui-Teens" episode will remain a mystery for now.  We might as well leave the timeline as is for now, then, and put the visit of Angel's parents as being the day after Mysterio is defeated.

It's not really clear how quickly the other X-Men arrive to find Warren, but it's clearly at least the next day.  Given the last contact Jean had with him was when he decided to fly full speed at a cliff wall, I'd expect a fairly swift response time, so let's assume that's what happened.  They then spend the night there, and return to the school the next day, meaning the whole story from the arrival of Warren's parents takes place over four days.

Date

Monday 17^th to Thursday 20^th April, 1979.

X-Date

X+Y+16 to X+Y+19.

Contemporary Events

Jimmy Carter is attacked by a swamp rabbit, in a scene that presumably wasn't anything like Monty Python and the Holy Grail, but I choose to imagine it as such in any case (if only my desktop wasn't at the shop, I'm sure this would have lead to a hi-larious Photoshop picture).
Standout Line

(Bobby waves at the Worthingtons through the window, hoping for an introduction.)

"Who's that?"
"Oh, he's not a student.  He's... the pool boy."
"I didn't think the school had a pool."
"Yeah, he shouldn't even be here."

X1C (v2) #11: "...Canon"

(First-Class Post-Modern?)

Comments

Wait, what?

I really can't decide what to make of this one.  It seems pretty clearly to have been born from the comparatively recent idea that because people love Deadpool, and because Deadpool is as likely to piss against the fourth wall as he is to lean against it, that must mean that anything absurdly self-referential must be a good thing.

Well, maybe it is.  I've never been too sure of that, though.  Much as I love a lot of Deadpool stories, I think they work only because we understand what we're going to get right from the start.  Wade Wilson's adventures should not be read by those without a sense of humour about their love of comics, or who (and consider the source here) take the concept of continuity too seriously.

All of which is fine, so long as it's compartmentalised.  But letting Deadpool lose across the wider Marvel universe (he showed up in Messiah War, for fuck's sake, the most ultra-serious po-faced bloodbath of a story imaginable) has had the effect of forcing pretty much everyone to be pulled out of the narrative, whether they wanted to be or not.

"...Canon" has a similar problem.  At heart, it uses a similar conceit to the She-Hulk stories of the mid noughties, namely that Marvel comics are actually historical documents within the 616 universe.  The "Continui-Teens", as our new friends call themselves, have access to "docoments" from the future, and use them to erase continuity glitches - in this case, those arising from the strange effect the catalysthad upon the nexus of realities within Man-Thing's swamp, which apparently includes allowing Mysterio to create illusions of Marvel villains to use as minions, including those who haven't appeared by the the 1960s.

It's all very funny (well, somewhat chucklesome, at least), and I'm not even slightly against giving die-hard comic fans the occasional good-natured knocking.  I just have something of an aversion to picking up a comic that's determined to remind me that not only are comics not real, but that there's no point in ever investing in them.  That's a little too cynical, even for me.

Clues

This story takes place over the course of a few hours.  The fact that Cyclops is missing at least suggests that this issue is intended to take place more or less at the same time as the last one.  Presumably Cyclops is en route back to the mansion, and the other X-Men have only just recovered from their unfortunate experience with Montezuma's revenge.  Other than Angel, apparently - I guess his spoiled rich-kid system just couldn't handle the strain.

Date

Sunday 16^th April, 1979.

X-Date

X+Y+15.

Contemporary Events

Alexei Kosygin attempts to combat Soviet economic stagnation by introducing a series of reforms designed to centralise the economy.  These reforms are never fully implemented, and are generally considered a failure.

Standout Line

"THAT DOES NOT EVEN LOOK LIKE THE ULTIMATE NULLIFIER." - "Galactus".

X1C (v2) #10: "Frederick"

(Miner's strike.)

There is, or at least there should be, a rule in fiction writing that states "if your story starts at the end of some other story, make damn sure no-one wishes they were reading that story instead."  I mention this because this issue takes place soon after the team returns from searching for El Chupacabra (the legendary Mexican goat-sucker, as if you didn't know).  This might initially seem like a violation of the above law, but Parker gets away with it, I think, as the team a) doesn't find a monster that interacts with goats in any way, and b) they all drink the local water and get the shits.

Except Cyclops, of course.  Poor ol' Scott gets a fair amount of ribbing in this issue about being so tightly-wound and boring, but if "never drops his guard" translates to "doesn't drink the local water that turns bowels into riot-hoses", I'd say he deserves to be let off.

Either way, this unfortunate turn of events colon-wise leaves Cyclops the only X-Man available when he goes searching for a group of missing people.

I can't decide if this story's refusal to suddenly reveal hidden depths to Cyclops is a comment on how competence is more important than flashiness, or just makes the story a little bit flat.  Nice to see the X-Men (well, one of them) doing their thing of searching out/dealing with new mutants, without a bevy of cameos trying to steal the show.

Also in the plus column, there's a nice layer of ambiguity lightly dusted over Frederick's actions.  Sure, he's abducted several people, but at least some of them genuinely are at least partially responsible for making him a mutant and making his father a corpse.  Their (horribly overstated) argument whilst Cyclops tries to free them makes clear that, even having been kidnapped for the damage they've done, they still have no intention of taking responsibility for the lives they've ruined.  On the other hand, Frederick's definition of "responsible" for his situation is fairly expansive, which means he can't really be cast as a wronged vigilante either (though be honest, who amongst us hasn't thought about taking those who teased us at school and shoving down a disused radiation-soaked mine-shaft?)

That's not to say I don't feel sorry for him, buried alive by a cave-in Cyclops starts as he's leading the prisoners to freedom.  Frederick seems pretty clearly to be mentally ill, and whilst that doesn't excuse his multiple abductions, I'm not sure Cyclops is really sufficiently upset about the first fatality his actions have caused. 

Who knows, though?  Maybe there'll be more on this next issue.  Hell, he might spend the whole of the rest of the series agonising over what he had to do.  It's not like we'd know, is it?

Clues

This story takes place over a single day, but we need to include another day for the mission to Mexico.  The foliage tells us that we're out of winter again, so we'll set this story two days after X1C (v2) #8.

Date

Sunday 16^th April, 1979.

X-Date

X+Y+15.

Contemporary Events

The aftermath of a 7.0 earthquake which hit Montenegro and Albania.

Standout Line

"What's got four arms, twenty toes, and one personality?  Cyclops and ANYbody else!" - Bobby

X1C (v2) #9: "The New Recruit"

(Fury's Angels.)

Comments

Isn't this getting a little bit ridiculous.  I don't mean a superhero battle in an undersea HYDRA base, obviously, that's just how these comics work.  I mean the fact that this story takes a significant step forwards from the "special guest issue" tendency that already felt a little overused, and essentially marginalises the X-Men within their own book.  For those of us with both an interest in and a reasonably extensive knowledge of the Marvel universe, this maybe isn't too much of a problem, but for semi-casual readers and fans of the X-Men only, it must be kind of baffling to open a copy of X-Men: First Class and find that you've bought a story about SHIELD trying to recruit Wanda Maximof.

Maybe I'm still not getting what this comic is trying to do.  If Parker wanted to put together some kind of anthology series set in the early days of the Heroic Age (the first one, not the post-HAMMER period), that would be interesting in itself.  Piggy-backing one through on the back of the X-Men seems a bit... confused.

Once again, though, on its own terms, this is definitely another fun issue (maybe Parker wanted to focus on an entirely inconsequential romp after the very slightly heavy going of "Adventure into Fear").  It's totally over the top, of course ("Eat Dugan's knuckles!"), but then it's a spy story in which the two competing organisations are called SHIELD and HYDRA, so a certain application of hyperbolics is probably a good idea.  Ass-kicking female spies are always fun, too (shame they only get out alive by the intervention of a rich middle-aged white guy).

Also, without wishing to contradict myself too much, I am beginning to warm to having Wanda around the place as X-Man 5.5.  There's something quite telling in the way Wanda responds to Jean's "cheating" at skating by plunging her into freezing cold water.  Even at this stage, the girl is clearly not entirely right.

Clues

This story takes place over a single day.  Warren mentions his (massively solipsistic) concern that saving Wanda will make her think he's carrying a torch, which places this issue after X1C (v1) #7.  It's also clearly mid-winter, giving the ice-skating scene early in the issue.

We can therefore place this issue in the winter of 1979, which we've previously had to skip in any case (note that this issue confirms that there was well over a year between Jean arriving at the school and the end of Mimic's brief tenure on the team).

Date

Tuesday 2^nd January, 1979.

X-Date

X+277.

Contemporary Events

Morena Baccarin (Firefly, V) is born.

Standout Line

"Wha -- How did you change so fast?" Poor Wanda.  So innocent in the ways of KGB strip-training.

X1C (v2) #8: "Adventure Into Fear"

(Apocalypse later.)

Comments

Into 2008 properly this time, and it's special guest time again!  Double trouble, no less, with both the Man Thing and Curt Conners making appearances.  Actually, having Connors in again is a fun call-back to "The Bird, The Beast, And The Lizard" - I particularly like how nonchalantly he reminds Hank and Warren about that time he nearly ate them.  Ah, memories.

Man-Thing pretty much seems to be here entirely to facilitate the "X-Men glimpse their potential futures" idea, which seems fair enough.  It's certainly a nice idea for a single issue, especially since the nature of the book means that these glimpses of possible fates don't act as teasers (which can get tiring in comics), and just allow the characters to react.  This spectres of the future approach is helped along by Nguyen's pale, shadowy artwork.

As for the visions themselves, they're all quite short, but interesting nevertheless ("Do any of us end up happy and retired?").  Beast gets his first glimpse of his upcoming transformation as they face off against a grey-furred feral Hank somewhere in a snowy forest (kind of a cross between Beast and Wolverine, in that sense).  Jean ends up inside the body of her Phoenix Force-possessed older self, at the conclusion of a Days of Future Past style war (which is kind of interesting giving the hints Bishop's been dropping about how things turn out for Hope).

Bobby's future is perhaps the most interesting, as it finally returns to the only hint of an ongoing storyline First Class has had so far - the Midgard Vanir's interest in Bobby's potential destiny as an Elemental.  In the reality the X-Men visit, this is indeed what has happened to hi, which has required Thor (special guest #3, for those keeping score) to show up and try to deliver a quick Mjolnir-ing to Iceman's sub-zero testicles.  I don't know whether this is a sign that Parker will return to the idea, but it's good to know he hasn't completely forgotten about it.

There's also a brief Heart of Darkness river ride in the middle that seems a bit tangential, but as various enemies from history and myth start to attack, it's definitely fun, and provides the best lines of the issue (see below, also: "Oh, like a winged horse is perfectly natural and I'm all weird!").

Clues

This issue takes place over a single day, and Jean's narration tells us that last issue's rocket launch took place the day before. We also have to set this issue after X1C (v1) #2.  Happily all of that can be done with the timeline we've already built.

Date

Friday 14^th April, 1979.

X-Date

X+Y+13.

Contemporary Events

Yusufu Lule is sworn in as President of Uganda following Idi Amin's ousting by Tanzanian forces.

Standout Line

X-Men versus Nazi submarine! 

"Das ist kein Deutsches Boot!"
"Die sehen wie Franzosen aus!"

X1C (v2) #7: "The Catalyst: Part 2"

("Have you seen the loneliness of the infinite-distance runner?")

Comments

Eek!  So many Sentinels!  I like the idea that they were programmed to lie low until their numbers reached a sufficiently awesome size.  Seems very mechanical to me (see also Zion, attack on).

I did wonder about the robots attacking the team after they'd been stripped of their powers; this issue immediately deals with that, and the Sentinels move on ("Yeah!  You don't want none! That's right!").  That might have seemed like a bit of a cop-out had I been reading this in monthly installments, but at this pace it seems entirely fair, and pretty logical.

Besides, it allows Quicksilver and Scarlet Witch to be dragged into the story, which is welcome (I'm not a huge fan of them in their early stages, in general, but I like Parker's handling of them).  Short though it was, it was definitely enjoyable to watch a slice of their home life without it tipping into ultra-creep Jeff Loeb Ultimates territory.  Seeing Quicksilver fret about chatting up women whilst he puts away the groceries is exactly the kind of quiet moment that I love.

Then everything explodes, obviously.  This is a comic.

I love the idea that an alien species would try to enhance life, but would have no idea about how that would actually affect the creatures they were working on.  They can understand Cyclops power, and can enhance it to a ludicrous degree, but it doesn't occur to them for one second that fiddling with force beams whilst on a plane is an idiotic idea.  I may be reading too much into this, but it feels at least a little like a deliberate nod to the difficulties inherent in enhancing things you can't understand.  The Outer Limits had a whole episode about this, in which nanites designed to heal people then started giving them jellyfish stingers and quite literal eyes in the back of their heads.  Also, there were tits, obviously.

Also, just for the record, I'm not sure how Angel manages to slow a plane down just by beating his wing's really fast. I can't imagine a thrush trying to pick up a particularly heavy snail thinking "Christ, I wish I was a hummingbird".  On the other hand, Warren healing Pietro with a touch is a nice nod to the "Angel's healing blood" idea Chuck Austen came up with and which was never really spoken of again.  Of course, a more cynical reading of this page is simply that Angel wanted an excuse to feel up Quicksilver's remarkably developed chest, and it luckily turned out he had healing powers. YMMV.

Clues

The action in this issue takes place over a single day.  The launch of the alien creature/machine happens some unspecified time later.

I guess it would take at least a little time to organise another launch. Still, the Marvel Universe has always involved more space travel than our own, even in the "recent past".  Plus, a glowing blob of green energy that can make superhumans unstoppable?  That is exactly the kind of shit you want to be able to launch into space at short notice.  There might just be a rocket standing by at Cape Citadel with the words "HELL NO!" painted on the side, just for such an occurrence.

Let's say they got the launch ready within a few days, and that this two-part story took place over a week.

Date

Saturday 8^th to Thursday 13^th April, 1979.

X-Date

X+Y+7 to X+Y+12.

Contemporary Events

Idi Amin flees after Kampala is taken by Tanzanian troops.

The la Soufiere volcano erupts in St. Vincent and the Grenadines.

Sophie Ellis-Bextor and Claire Danes are born, and Nino Rota (who composed the music for the first two Godfather films) passes away, aged 67.

Standout Line

"Perhaps... I could say I forgot something and go back.  No, women do not like forgetful men, do they?" Ah, Pietro. If the "former mutant terrorist" thing doesn't prove a problem, you should probably not sweat the small stuff.

X1C (v2) #6: "The Catalyst"

(Baffled beyond the stars)

Comments

(For the record, it seems I was wrong.  This is the first issue of X1C to have 2008 on the cover, but it hit the shelves in 2007). 

Man, it's good to be back reading a comic with momentum.  This is probably one of Parker's less fun romps, in all honesty, but since it involves the team losing their powers that's perhaps unsurprising.  Warren's devastated reaction to losing his wings, in particular, is very nicely done.  All the talk at the start seemed a little too long - and it's difficult to square Xavier's willingness to tell NASA he's a telepath with his usual total secrecy on the subject (maybe he plans to wipe everyone's minds after he's seen their data analysis) - but such is the nature of set-ups I suppose.

Cyclops' use of the the Danger Room is pretty much identical to how Jean-Luc Picard finishes off two Borg drones in First Contact, but since Parker's version of the trick is roughly ten million times less idiotic than Braga/Moore's, I'm content to let it go. [1]

Clues

This issue takes place over two days, which from Bobby's sleepy complaints are a Friday and a Saturday.  The arrival of the Sentinels once more puts us at some point after UXM #18, so we'll start filling up the space between UXM #21 and #22.  There's clearly too much vegetation around for it to be winter, so we'll startthis story on the first Friday in April.

Date

Friday 7^th to Saturday 8^th April, 1979.

X-Date

X+Y+6 to X+Y+7.

Contemporary Events

The PRC joins the IOC.

Standout Line

"I am now entering the comet's coma." A bit of a barren issue quote-wise, so I figured I'd note the line that at least taught me a little something about astronomy.

[1] Seriously, I fucking hate that holodeck scene.  We're supposed to believe that the Borg are capable of developing technological counter-measures to any weapon they've encountered, more or less instantaneously, and we're expected to believe no species in the last three hundred years (at least) has ever tried to hit them with small projectiles launched at high speeds?  That's some bullshit right there.

X1C (v2) #5: "Smash"

("Condition red!  Condition red! It's green! Wait... I mean he's green!  It's red!  The condition is!  Red!  So red! Totally red! OH MY GOD IT'S SO GREEN!")

Comments

I guess three whole issues was long enough without a guest spot, then.

There's really not a lot to be said about this issue; it's basically just all one long fight scene, punctuated by Hulk's "teenage sidekick" Rick making the odd reasonable point.  The Hulk doesn't really seem to be in character, from what little I've read of his adventures during this period (mainly UXM #66), but I can see why Parker made the change - having his wise-cracking teenagers try to beat up something only one stage up from a super-powered green refrigerator might look a bit like bullying.

I can't decide whether Xavier's inability to control the Hulk due to constant interruptions from the military is a sly dig at the army's capacity for getting in its own way, or just a crappy hand-wave to explain why the fight doesn't end more or less immediately.  I have enough faith in Parker to suspect the former, though.

Clues

This story takes place in approximately real time.

Aside from the X-Men's unfamiliarity with the Hulk, which means this issue must take place before UXM #66 (which we'd assume anyway), there's nothing to date this story at all, so we'll stick it into continuity as early as possible.

Date

Sunday 30^th July, 1978.

X-Date

X+121.

Contemporary Events

Ethiopia launches a massive offensive against Eritrean guerrillas during the eighteen year of the Eritrean War of Independence.

Standout Line

"All I ever do is catch X-Men" - Angel.

X1C (v2) #4: "Road Trip"

(Stolen cars and stolen glances.)

Comments

It's another outing for the X-Books' most promising bromance as we're once again reminded that these adventures might as well be entitled "Hank And Bobby Help The X-Men Out Of Charity".  After all, those other losers are clearly just taking up space.  Note how Bobby turns down every offer for a holiday buddy until Hank pipes up?  That shit ain't accidental.

As you might expect from a story about a road trip, most of this issue is a series of vignettes and flashes, which suits Parker's writing very well.  This structure lets him make full use of his sweet and funny dialogue and character beats without his oftentimes fairly simplistic plotting causing problems. 

Sure, the issue climaxes with Hank and Bobby saving people from an unseasonal hurricane, but for the rest of the ride it's Hank driving with his feet, Bobby freezing every mosquito dumb enough to bite him, and the two of them finally opening up to each other. "Is this what the cool kids do?" Hank asks.  "I have no idea what the cool kids do," Bobby replies.  Because jokes about coolness aren't what's needed here, not even from Iceman. Guy-love is in the air.

Oh, and as much as I loved Beast before this issue, his willingness to toss aside his flip-flops and hang upside-down from the ceiling to cheer up a child he accidentally upset increases his awesomeness still further.

Clues

This is a tricksy issue.  I finally remembered to search back through the early posts on the blog to remind myself as to when exactly the X-Men graduated.  I had a feeling that it was earlier than X1C makes out, but I couldn't remember the exact issue.

Turns out it's UXM #7.

That means that in the original Lee run, the X-Men graduated before any of them (save possibly Cyclops) even knew that Cerebro existed.  I think we're going to have to ignore the orignal graduation date if we're going to get anywhere with this title, then.

There's also the matter of Alex (who Bobby refers to as Scott's brother) showing up this issue, despite everyone being surprised when Scott reveals his sibling in UXM #54.  By that point, Xavier is believed dead, and it's pretty tough to imagine this issue taking place after his return (why is Alex just visiting? Where's Lorna?)

Given all of these problems, then, and since Hank mentions that this issue's excursion is markedly superior to their time on Monster Island, we shall follow the standard practice of fitting this issue in somewhere between UXM #18 and #32.  Indeed, Hank states that this adventure happens at a time which "early for hurricane season", which would put it somewhere around May.  Fortunately, due to Roy Thomas' notoriously slack approach to continuity, we have months of spare time between UXM #21 and #22, which includes May 1979.  We'll give them the whole fortnight off, so as to save me having to work out exactly how long it took our intrepid heroes to squeeze in all their activities.

Date

Wednesday 16^th to Wednesday 30^th May, 1979.

X-Date

X + Y + 46 to X + Y + 60.

Contemporary Events

Gay men riot in San Francisco after Dan White receives a five year sentence for the murder of Mayor George Moscone and Harvey Milk.

Standout Line

The X-Men's greatest foe yet: campsite toilets! "I'll recover through therapy, one day."

X1C (v2) #3: "Island X: Part 2"

("I am sooo stoned!")

Comments

Right.  So this is Monster Island, then.  It did seem a little unlikely that you'd get two such places (Monster Archipelago?), but I'm not sure it was the best idea to revisit the place so soon after the special issue, particularly as it means that either this story has to take place before that issue, or that Jean's dragon must have stolen a fair few of her IQ points as a parting gift.

That complaint out of the way, though, it's another good issue, if somewhat slight.  I had considered the possibility that Mastermind was behind all this somehow - the way last issue both began and ended with his statue on display rather suggested he was going to show up.  The idea that he's been conscious ever since the Stranger petrified him is actually quite unpleasant, but then if there's anyone who doesn't get to complain about his brain being divorced from the outside world, it's Jason Wyngarde.

Clues

This issue begins shortly after the previous one ended, and continues into the following day.  Since, as noted above, this story has to take place before Jean meets her dragon, we'll swap the dates around.  In order to not mess up the timings of the UXM issues, I'll also truncate the time said creature stays with the team by a single day.

Date

Monday 9^th October, 1978.

X-Date

X+192.

Contemporary Events

Standout Line
"GIANT HEAD FIGHT!"
"Go for the cerebellum, Sir!" - Iceman and Beast.

X1C (v2) #2: "Island X"

("This is insane!" "Fascinating, though!")

Comments

Ooh!  A two-parter!  This is new.  And there's not a special-guest appearance to be found!  Lovely.

Also: it's a really funny issue, whether it's Bobby conquering his Wizard of Oz-induced phobia of flying monkeys ("That's right, childhood trauma!"), Jean freaking out over the same ("Not in my hair!") or the occasional sly rejoinder ("Considering the fauna, I believe it best to stay under the cover of the canopy!" I share your beliefs, Hank".) Given the more than slightly ludicrous nature of the set-up - something which Cyclops cottons onto at the end of the issue - playing it at least partially for laughs was probably the best option, and Parker certainly makes it work here.

Beyond the giggles, this is really just an extended travelogue through monster country, but that's certainly fun enough in itself.  The plant that mimics sound to catch prey is a particularly nice idea (albeit one used by Scott Smith a year earlier).  Plus, any story that drives home the limitless evil of butterflies is worthy of respect.

Clues

The events on the island take place over a single day, but working out how long it took the X-Men to arrive there might require some effort.  Presumably they chartered a ship that took them through the Panama Canal and out into the Pacific.  Since there's no real clue as to where this island is, lets put it close to the entrance to the Pacific Ocean near Balboa. That makes the boat trip at somewhere around 2400 miles or so.  Assuming a speed of 25 knots (which is at the upper end for container ships, apparently), that's around three and a half days travel.

Let's assume the whole issue takes place over four days, then.  Once again, Mastermind's petrified presence places the story between UXM #18 and UXM #32, so let's place it just after the team released their dragon onto Monster Island (after giving them two days to get back from there - clearly this is a busy season for the X-folk).

Date

Thursday 28^th to Sunday 31^st October, 1978.

X-Date

X+211 to X+214.

Contemporary Events

Anwar Sadat and Menachem Begin share the Nobel Peace Prize.

Geoffrey Unsworth, who was cinematographer for (amongst many other films) Cabaret, 2001: A Space Odyssey, A Bridge Too Far, and the first two Superman films, dies in his mid sixties.

Standout Line

"What is this place?"
"Proof the professor hates us!  And always has!" Bobby and Warren.

X1C (v2) #1: "The Job Shadow"

(How not to be invisible.)

Comments

Hmm.  This is becoming a little repetitive.  The Fantastic Four's appearance in this issue brings the ratio of X1C issues (other than the special) to feature established Marvel characters to eight out of nine.  You can certainly make an argument for including Juggernaut and Blob in X1C #3, and the Maximoff siblings in X1C #7, since they're at least X-Men villains and thus tie into the aura of nostalgia this title is seemingly trying to create.  But that still leaves six issues - fully two-thirds of the run to date - that hinge on characters with little or no logical ties to the team or to mutant-kind in general.

That, as far as I'm concerned, is too much.  Yes, the characters are generally well used (Ken Hale was brilliant in issue #8, for instance), and this is true once again in this issue, but I'd still like to have a break from the wider Marvel Universe, at least for a little while.

That gripe aside, though, how does this issue stand up?  Pretty well, actually. As I say, the Fantastic Four are at least well used here, and having Jean hang out with Sue Storm so she can use the Invisible Girl as a role model is a perfectly serviceable idea.  It also allows Parker to point out that Jean is badly undervalued by her usual team, or at least badly underestimated.  Whilst the X-Men admonish her for trying to develop her powers without her help, the Fantastic Four are perfectly happy for her to throw herself into whatever she feels like.  Both her resulting joy and the X-Men's concurrent terror over losing her are great fun to watch.

There's also a panel of Cyclops' reaction to Johnny flirting with Jean that singlehandedly justifies the entire issue.

Built into this fear that Jean might leave the team is another point, however - how much the X-Men wish they could be like the Fantastic Four (nicely demonstrated by Iceman trying to impress Sue with a wall of ice that he's trying to make invisible). As Cyclops points out, Jean does the exact same things in both teams, but in the X-Men she's viewed as potentially "the real threat", and alongside the Richards, she's an instant celebrity.  I guess that makes a lack of appreciation the overall theme, which certainly makes the story more than just a standard super-hero team-up. 

Obviously, teaming-up is exactly what happens at the conclusion - this is a super-hero comic after all - but there's a nice element of vindication and catharsis to the proceedings.  It's then all brought full circle by Sue admitting she's envious of the X-Men for having a mentor to prepare them for the life they've chosen, and then asking Xavier if the true purpose of the "job shadow" was for Jean to see how other superheroines deal with their male counterparts.  The overall message here is that the two teams really aren't all that different.  Perhaps this isn't much of a surprise to the reader, but it's a nice thing for the X-Men themselves to consider.

Just as an aside, since I don't really read much Fantastic Four, I have a question.  Is building a giant android with a head shaped like a hammer something that Reed Richards would spend his time doing?  Because even for him, the cost-benefit analysis surely can't have looked that promising.  The Thing seems to have similar concerns: "Why didn't ya give this thing a face?"

Clues

This story takes place over a single day.

Apparently the first meeting of the X-Men and the Fantastic Four takes place in FF #28, which was published between UXM #7 and #8 (that issue also featured the Mad Thinker and his stolen android, and ended up with Richards reclaiming it, presumably that wacky old MT managed to swipe it again). Nothing else gives us a clue as to when the issue is set, beyond a passing reference by Bobby regarding how the team "Cerebro-ed" Jean's location.  If we assume that Iceman knows about Cerebro as some kind of team tracking technique, and not the specifics (which aren't revealed to him until UXM #12), and that Bobby doesn't consider "Go save Jean" to technically be a mission, then we can actually place this issue between UXM #9 and #10.  That's what we'll do, then.

Date

Saturday 29^th of July, 1978.

X-Date

X+120.

Contemporary Events

Standout Line

"[Jean's] blasting off in a sweet air car while we're all cramming into a minivan on missions."

"That van gets excellent mileage." - Bobby and Charles.

X1C Special: "The Museum Of Oddities", "The Soul Of A Poet", "A Girl And Her Dragon"

(The ghost is a gargoyle.  The dragon is a pussycat.  The poet is a prick.)

Comments

Heh.  Even by the standards of this title, this is entirely lightweight and throwaway, but it's a lot of fun.  "The Museum of Oddities" finds Hank and Bobby (a duo which once again proves the rest of the X-Men are completely unnecessary) pretending to be ghost-hunters in order to find a mutant.  It's a lovely idea - ironically so much better than their stint years later pretending to be mutant-hunters. Alistair the living gargoyle is oddly cute as well.  I think he's underselling his abilities, actually.  Yes, standing still isn't much of a power, but he snaffled Hank's lunch with unbelievable speed.  Having Alistair on the team would be the next-best thing to fighting the Brotherhood alongside Yogi Bear, and who the hell wouldn't be glad to see that?

 

"The Soul of a Poet" reintroduces one of the original run's most underappreciated characters: Bernard the talentless beat poet.  The idea of "neo-mutants" (mutants who only gain their powers when other mutants are nearby) is maybe kind of silly (though that's a relative term in X-books, of course), but for such a short story that hardly matters. Bernard is just as love-to-hate as always, and having Iceman swipe one of his CDs with which to terrorise the team later on is a nice touch.

"A Girl and her Dragon" is the longest story in the collection, and I'm not sure why.  There doesn't seem much point to the initial fight between the X-Men and the dragon except to fill some kind of action quota.  The second half of the story, which is about how Jean deals with learning she must let her new friend go (sort of an inverted "Puff the Magic Dragon") is strong enough to stand alone, I would think.

Still, dragon vs. Sentinel?  That's a pretty awesome idea right there.  "Best dragon ever", as Jean says. (Sorry, Lockheed!)

Clues

"A Girl and her Dragon" is clearly set after issue #18, as seems to be the case with all X1C issues; we see the dragon dealing with the Blob, the Juggernaut, and a Sentinel.  Since this story takes place over the course of several weeks, we can easily assume the first two stories take place within that period, as neither of them seem situations in which the dragon was liable to be involved.

It is of course difficult to sensibly extrapolate the amount of time necessary for a teenage girl to grow particularly attached to a hydrocephalic dragon, but I think three weeks should just about cover it.  We'll therefore assume the X-Men meet the dragon the day after returning from Africa with the professor, and take their new mascot to Monster Island three weeks later.

There's also a ten minute interval we have to find somewhere for Scott to tell Kitty the story of Jean's dragon.  That could happen at any time following one of Jean's deaths, though.

Date

Thursday 5^th to Thursday 26^th October, 1978.

X-Date

X+188 to X+209.

Contemporary Events

Pope John Paul II becomes the 264^th Pope, suceeding Pope John Paul I.

Nancy Spungen dies and boyfriend Sid Vicious is arrested on suspicion of murder.

Standout Line

"My calculations refute Cerebro's -- otters are cuter!" - Hank

X1C #8: "The Treasure Hunters"

("I wanna be like you-hoo-hoo!")

Comments

Well, it's not exactly a fireworks-strewn finale to the run or anything - though that might be at least partly because the comic is about to graduate to ongoing status - but it's a nice fun issue to finish off a nice fun series.  No earth-shattering threats, no dark secrets, just eight books about some of the lighter aspects to being a mutant in a world that hates and fears you.

This time around, there's the barest bones of a continuation from previous issues: the holiday Xavier has been taking for the last three issues (or just the last one, depending on how you arrange the continuity) may have taken a worrying turn, based on Jean's possibly prophetic dream.  The resulting metaphor - that the team are treasure hunters but what is truly valuable is their friend and mentor - is laid on a bit thick, but it manages to avoid being too saccharin.  I like the idea of a trap for the obsessed, as well, though I'm not entirely sure who would go to the effort of building it.  Mind you, that's also true of whoever slapped together the Oak Island money pit Ken mentions.

Speaking of Gorilla Ken: that is one awesome ape.  "I'm fascinating", as he puts it.  If I'd been the X-Men, I would have been sorely tempted to leave Xavier to his fate and just study under Mr Hale instead.  I mean, who's going to prepare you better for a life of fighting supervillains and dodging lynch mobs?  Is it a liberal intellectual? Or is it a tough-talking immortal gorilla who can tear you apart with his bare hands?  I think we all know!

Clues

This story takes place over two days.

We can assume Jean wakes from her dream of Xavier after midnight, which allows us to sneakily make use of our "one adventure a day" rule, and so have the team board the flight to Africa the day after Wanda breaks up with Warren.  By the time the team land in the Congo, it's just past midnight on following day back in New York, meaning that since the X-Men's rescue mission happens entirely during daylight hours, it's still the day after they left in New York by the time Xavier is saved.

Date

Monday 2^nd to Tuesday 3^rd October, 1978.

X-Date

X+185 to X+186.

Contemporary Events

A superjam organised by Paul McCartney takes place at Abbey Roads studio, involving James Honeyman-Scott, Hank Marvin, Pete Townshend, David Gilmour, John Paul Jones, John Bonham and Bruce Thomas (or so Wikipedia says, at least).

Standout Line

"Just humor the gorilla, OK?"

X1C #7: "Who Wants To Date A Millionaire?"

("Never was there a tale of more Wanda.")

Comments

Aw.  Such a sweet little love story.  Nice to see at least one super-power romance (albeit a brief one) that ends not because of some cosmic battle or supernatural alteration or divided loyalty, but simply because two people who find each other very attractive turn out to be ill-suited for one another.

Indeed, considering Wanda's mature (off-panel) decision to break up with Warren, it's surely by no means coincidence that the childish battle between Angel and Quicksilver that starts moments later takes place in a playground.  It's two young men fighting over a woman who neither of them have any right to.  Of course, the playground metaphor works for much of superhero fiction, actually (as has been noted many times before).  It's summed up by one angry woman's response to Pietro and Warren agreeing to a truce: "Well how great that you super-teens have settled your differences.  But the playground is ruined!"

Returning to Pietro for a moment, Wanda's appraisal of her relationship with her brother is quite interesting, and adds nuance to something that was painfully one-note when it originally appeared.  It makes some sense that she would place her trust in the hands of her stronger, more capable brother.  Of course, Jean's point that Pietro's domineering attitude will either drive Wanda away or destroy her free will is entirely correct.

Jean has a pretty good time of it this issue, actually - she's clearly far ahead of Cyclops and Iceman when it comes to deductive powers.  From now on, Jean should be in charge of all investigations, at least when Beast is probably implicated somehow.  

All in all, it's a really pleasant issue, which ends on a lovely note as Iceman once again saves the day, this time by creating a new playground out of ice and snow for the kids to play on. "Stand aside, lame ones" indeed.

Clues

A-ha!  This is it, folks!  Proof positive that the issues of this title are not in chronological order! (Man, I can't believe this is exciting for me...)  Issue #4, as we've discussed, cannot have happened prior to issue #33, but the petrified Mastermind in the hallway this issue means Warren and Wanda's tryst cannot have taken place after UXM #37.  Of course, every issue in-between those two books described Xavier as having been kidnapped by Factor Three.

Since his absence in this issue is explicitly referred to as a vacation (forcing the team to travel by mini-van, apparently - what happened to the rolls?), there's nothing for it but to set this issue before X1C #4.

Mastermind was cursed by the Stranger in UXM #11, and the exchange between the X-Men and the Maximoff siblings referred to in this story took place in the same issue.  The implication is that several weeks have passed since then, which given the run of uninterrupted stories between UXM #11 and UXM #18 puts us at around the same time-frame as X1C #1-3.  Let's assume that Xavier becoming trapped inside Cerebro convinced him that his last vacation didn't do the job, and has headed off into the wild blue yonder again (this explains why Jean is leery about creeping around inside Cerebro's frontal lobe).

We can therefore place this story the just after X1C #3, which happily also means it really has been several weeks since the X-Men last saw Wanda and Pietro, as well as making Cyclops comment about blasting Warren out of the sky an ironic comment rather than a joke in exceptionally poor taste.  Since it's unlikely Hank and Warren would have snuck in to Cerebro whilst Xavier was still around, we'll assume that the professor has been gone for the "couple of weeks" Hank mentioned.

This story takes place over a single day.

Date

Sunday 1^st October, 1978.

X-Date

X+184.

Contemporary Events

Vietnam attacks Cambodia.

Tuvalu gains independence from the UK.

Standout Line

"GO WARREN!"
"Iceman!"
"Oh, sorry.  GO ANGEL!"